大卫·斯雷德(《汉尼拔》)将为米高梅执导新片[黑暗收割](Dark Harvest，暂译)。影片根据同名恐怖小说改编，迈克尔·吉里奥([龙与地下城])撰写剧本。故事发生在1963年的万圣节，围绕着一个叫“十月男孩”展开。每年万圣节，他都会手拿屠刀，从玉米地里爬起来，走向小镇。无论是猎人还是猎物，“十月男孩”都是一年一度生死仪式的奖品。皮特知道，杀死“十月男孩”是他逃离这个穷途末路的小镇的唯一机会。他愿意冒着生命危险去赢得胜利。但在夜晚结束之前，皮特将发现“十月男孩”可怕的真正秘密。
千寻和爸爸妈妈一同驱车前往新家，在郊外的小路上不慎进入了神秘的隧道——他们去到了另外一个诡异世界—一个中世纪的小镇。远处飘来食物的香味，爸爸妈妈大快朵颐，孰料之后变成了猪！这时小镇上渐渐来了许多样子古怪、半透明的人。千寻仓皇逃出，一个叫小白的人救了他，喂了她阻止身体消失的药，并且告诉她怎样去找锅炉爷爷以及汤婆婆，而且必须获得一份工作才能不被魔法变成别的东西。千寻在小白的帮助下幸运地获得了一份在浴池打杂的工作。渐渐她不再被那些怪模怪样的人吓倒，并从小玲那儿知道了小白是凶恶的汤婆婆的弟子。一次，千寻发现小白被一群白色飞舞的纸人打伤，为了救受伤的小白，她用河神送给她的药丸驱出了小白身体内的封印以及守封印的小妖精，但小白还是没有醒过来。为了救小白，千寻又踏上了她的冒险之旅。
叶湘伦（周杰伦 饰）是淡江艺术高中的一名插班生，父亲（黄秋生 饰）是该校的一名教师。这天同学晴依（曾恺玹 饰）带他参观学校，接着他独自来到了学校的旧琴房，本身弹得一首好曲的他被某处传来的一首钢琴曲吸引住了。他来到其中一间旧琴房，遇到了路小雨（桂纶镁 饰），纯纯的爱情故事由此发生了。一直以来，叶湘伦都觉得小雨充满了神秘，却无法进一步了解她。叶湘伦约小雨到琴房见面，叶湘伦以为晴依是小雨，跟晴依接吻时被小雨看到，自此之后叶湘伦就没有再看到小雨。叶湘伦到处寻找小雨，发现了那个小雨所说“不能说的秘密”的全部真相。
历经十七年混战的火山高校内部派系林立，传说中，谁拿到武林秘笈就可以号令天下，创立108年的火山高因此动荡不安……身怀超能力的转校生金英俊（张赫 饰）在火山高的第一天就颇不寻常，举重队黑牛帮的张良（金秀路 饰）、剑道部校花当家柳采怡（申敏儿 饰）以及学校头号战将——同样拥有超能力的茶道部松学林（权相宇 饰）纷纷粉墨登场，金英俊珍惜最后的转校机会，处处隐藏实力求平安。犹如闲云野鹤一般的校长意外中毒，由其保管的武林秘笈顿时成为众矢之的，副校长苦寻未得，而张良趁松学林作为嫌疑犯被关押，在校内大开杀戒，连番混战中，一股更强大的力量进入学校参与秘笈之争……
大学话题校花梁小琪（陈意涵 饰），她不仅拥有叱吒风云的梦幻男友张圣（姜康哲 饰），更是全校所有男生心目中的宅男女神，但她却打从心里厌恶宅男某天小琪因姊妹淘爱上宅男而愤怒在脸书上发表一篇挑衅的《为何我不会爱上宅男》文章，意外挑起网路论战，一夜之间成为全校争议人物。 某天晚上，小琪经过校园“菊湖”时意外失足跌入湖中，却发现湖水竟然莫名其妙干了，学校中最聪明内向的宅男吴全顺（陈柏霖 饰）正好经过解救了她，经由室友陈美雪（郭书瑶 饰）的提醒，小琪才惊觉，她与吴全顺竟成了校园传讼百年的爱情浪漫传说“菊湖传说”中的命运恋人——传说中，在菊湖干掉之时邂逅的男女，将受到爱情魔咒的束缚，命运注定他们会相恋一生。梁小琪与吴全顺在菊湖邂逅的事情，意外轰动全校，所有人都等着看这个高傲的校花是否真的会爱上宅男。 梁小琪认为与宅男配对使她沦为笑柄，为了驳斥菊湖的无稽之谈，小琪与美雪开始调查菊湖传说的由来，希望能找出反证，但所有的事实都指向菊湖传说虽然离奇，却非常真实，究竟梁小琪是否能解除诅咒呢？
FiveteenagerscompetetowinamansionownedbyentrepreneurandscientistAtticusVirtue.Towintheteensmustface-offagainstasupercomputernamedHAVENwhocontrolsthemansion.
电视剧深度互动综艺节目《花漾剧客厅》，每期邀请山东卫视热播剧演员、偏执狂的导演、脑洞大开的造型师、“锱铢必较”的舞美置景师、角色的现实版本等各路嘉宾，一起来讲述拍戏经历、片场花絮，喜看各嘉宾互相吐槽。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
知英 、大政绚主演，改编自同名超人气漫画的《Leon》，围绕各种出人意料的展开引爆笑料，同时又带来纯真的恋情，是一部让人心动的喜剧作品。土气的派遣小白领小鸟游玲音被男朋友甩又被公司解雇，和喜好女色的独裁社长朝比奈玲男，偶然卷入同一起交通事故，睁开眼之后，两人竟然互换了身体！这出爆笑的故事由此开始。
由歌手优里的歌曲《干花》、《捉迷藏》改编。由坂东龙汰和北香那双主演。薰和由里香在7月的夏天终于如愿以偿开始幸福的同居生活，然而这份爱情能否经受现实的考验，像干花一样永葆美丽不凋谢呢？
外星人首领得知能量体存在在地球上，为了得到能量体。首领派球球去地球查探能量体的下落，并夺得能量体。球球来到地球后，在偶然的机遇下得知能量体在四眼的身边。便开始接近四眼等人，以朋友的身份一直在四眼等人身边潜伏。渐渐地球球在大家的相处下渐渐发现人类都有一颗善良的心。开始觉得自己不应该再继续这样错下去，便开始动摇。首领一直没有得到消息，便派蛋蛋来到地球查探。蛋蛋决定自己下手，阴差阳错几人开始了一场搞笑而又惊险的旅行。两人决定放弃，就在大家都以为能和平时，外星杀手附身小美开始了一场激战。直到这时，大家才知道能量体是四眼的妹妹，妹妹为了自己哥哥的性命决定随外星杀人离开，最终四眼获救，却与妹妹从此分别了。
拜金女缇娜是一名孤儿，从小被一家老人院的程院长收养成年后的缇娜依靠自己年轻美貌性感的外形来吸引富商们的关注并骗取他们的钱财救济穷人。 某次缇娜敲诈一名大富商时判断失误不但失手还失了身，最令缇娜气氛的是酒吧的服务员吴用竟然喝醉酒后痴迷缇娜的美色遂装成富商勾引缇娜在总统套房内与缇娜发生了关系。 缇娜无意卷入当地地产大鳄胡氏集团董事长胡云雷设计的一场大阴谋，事关自己从小成长的养老院地契，自己性命也危在旦夕，恰好吴用偷听到整个计划，并决定帮助缇娜，缇娜被吴用的真诚所打动并慢慢的接受了吴用的感情。二人商定联合挫败坏人的阴谋，让老人留住自己的家，并制定了周密的计划。胡氏集团老董事长曾经是老人院程院长的旧情人，在得知真相后决定帮助他们。经过几番曲折的明争暗斗，正义战胜邪恶，平息了这场阴谋，胡云雷得到应有的惩罚，老人院恢复了平静，吴用和缇娜过上幸福的生活。